A Crítica de Jazz HOJE, debate na Gulbenkian

Jornalismo e crítica de Jazz. Opinião. A pluralidade das vozes com a proliferação dos meios na era digital. A preparação e fundamentação teórica do crítico, ou a falta dela. Deontologia e ética.

Estas são algumas das matérias a abordar no debate livre, amanhã na Gulbenkian, num painel moderado pelo director artístico do festival Jazz em Agosto, Rui Neves, com a participação dos críticos Bill Shoemaker (Point of Departure, Downbeat, The Wire), Gérard Rouy (Improjazz, Revue et Corrigée), Rui Eduardo Paes (Jazz.Pt, Associação Granular), Selwyn Harris (JazzWise) e Stuart Broomer (Point of Departure, All About Jazz, MusicWorks).

O debate “A Crítica de Jazz HOJE”, substitui a conferência programada para o Jazz em Agosto- “Jazz Criticism: An Open Verdic”, na impossibilidade da presença do crítico e jornalista Brian Morton.

“A Crítica de Jazz HOJE”
Domingo, 12 de Agosto – 18h30 – Auditório 3, Fundação Gulbenkian

Comments

The Clockworks, Mayday Mayday

Mayday Mayday, the latest from The Clockworks, a four-piece Irish post-punk band from Galway, Ireland, now based in London. Formed in 2019, the band consists of James McGregor (vocals and guitar), Sean Connelly (guitar), Damian Greaney (drums), and Tom Freeman (bass). One of the most exciting new bands in the post-punk scene, a blend of indie rock and garage rock, with driving guitars and catchy melodies, currently working on their debut album. The Clockworks are a young band with a lot of potential, helping to bring Irish rock back to the forefront. Stay tuned!

Iain McKell, "New Gypsies"

"Historically despised the new Gypsies are there by choice, not heritage. Unrelated to the Roma, the movement began in 1986 when a group of Post-Punk Anti-Thatcher protesters headed out of London into the English countryside. McKell followed these New Age Travellers to the West Country and over the years he watched them become a hybrid tribe - the new gypsies - present-day rural anarchists, living the subversive lifestyle in elaborately decorated horse-drawn caravans." Iain McKell, "New Gypsies"

New Order - Video 5-8-6 [Extended 22:23 version]

“Video 5 8 6” is a song originally composed as “pap” (as Tony Wilson put it) for the opening night of the Haçienda on May 21, 1982. Parts of this pearl would become the basis for the Power, Corruption & Lies tracks “5 8 6” and “Ultraviolence”, as well as the associated 12-inch single “Blue Monday”.

FixWhatUSee

Search This Blog