Pulitzer Prize winner, singer, performer and composer Caroline Shaw together with the exploratory New York ensemble Sō Percussion: Let the Soil Play Its Simple Part.
Caso sério! Levar a orquestra ao limite dos limites. Explorar a infinitude do som, do sentir e do querer. Anna þorvaldsdóttir, ou Thorvaldsdottir, mais a nosso jeito, compositora Islandesa dos nossos dias, nascida em 1977. Levar a orquestra a uma implosão capaz de provocar um buraco negro na audiência, em busca de uma nova energia primordial. Caso muito sério, Anna þorvaldsdóttir!!
On the edge of understanding. Mesmerising, this another major stept into the immersive world of the artist and creator William Kentridge, now in London at The Royal Academy of Arts. William Kentridge | Artist Tour from Royal Academy of Arts on Vimeo . William Kentridge, De Como Não Fui Ministro D’Estado, 2012. The Royal Academy of Arts
In the beginning there was the rhythm… This is the story of a group of black musicians that came together in South London in the racially turbulent UK of the early 1970s. Using rhythm as a source power message for peace and a dove as their logo, Cymande played Caribbean grooves tuned with jazz, funk and soul. Today, Cymande songs are raw material and inspiration for new generations of artists. Their music was essential for a wide range of projects from Soul II Soul to De La Soul or MC Solaar to The Fugees. And their message has never been so fundamental. Directed by Tim MacKenzie-Smith, the movie "Getting It Back: The Story Of Cymande" is their story.
The story of the Mark Morris Dance Group and its 40-year journey from a small dance group into a global cultural leader with a strong presence in the Brooklyn, NY community. Music and its deep relation with dance. Community engagement as a major statement!
Hot, Cold, Heavy, Light, 100 (Art Writings 1988–2018), By Peter Schjeldahl From Vermeer to Picasso, Donatello to Andy Warhol. But also Basquiat and Holzer, Polke and Kiefer, Sherman and Koons or James Marshall and Laura Owens. And more, much more from the essential knowledge nurtured in the last 30 years as art critic, first for The Village Voice, since 1998 for The New Yorker. Let's dive deep into the character, quality, and consequence of art today.