Malick Sidibé no DocLisboa 2010

O fotógrafo do Mali Malick Sidibé, nome maior da fotografia contemporânea, apresenta em Lisboa 85 fotografias que retratam as gentes do seu país, dos anos 1960 até ao novo milénio.

Exposição de referência na obra de Malick Sidibé, produzida pela Hasselblad Foundation, integra o programa do DOCLISBOA 2010 – VIII Festival Internacional de Cinema.

Malick Sidibé foi o vencedor do prémio máximo do PhotoEspaña 2009 (Prémio PhotoEspaña Baume&Mercier), tendo em 2008 sido distinguido com o prémio do Centro Internacional de Fotografia de Nova Iorque, em 2007 coube-lhe o Leão de Ouro da Bienal de Veneza, e em 2003 com o Prémio Hasselblad (Suécia), em 2003.

A não perder, no Palácio Galveias, em Lisboa, até final de Outubro.

Comments

The Clockworks, Mayday Mayday

Mayday Mayday, the latest from The Clockworks, a four-piece Irish post-punk band from Galway, Ireland, now based in London. Formed in 2019, the band consists of James McGregor (vocals and guitar), Sean Connelly (guitar), Damian Greaney (drums), and Tom Freeman (bass). One of the most exciting new bands in the post-punk scene, a blend of indie rock and garage rock, with driving guitars and catchy melodies, currently working on their debut album. The Clockworks are a young band with a lot of potential, helping to bring Irish rock back to the forefront. Stay tuned!

Iain McKell, "New Gypsies"

"Historically despised the new Gypsies are there by choice, not heritage. Unrelated to the Roma, the movement began in 1986 when a group of Post-Punk Anti-Thatcher protesters headed out of London into the English countryside. McKell followed these New Age Travellers to the West Country and over the years he watched them become a hybrid tribe - the new gypsies - present-day rural anarchists, living the subversive lifestyle in elaborately decorated horse-drawn caravans." Iain McKell, "New Gypsies"

New Order - Video 5-8-6 [Extended 22:23 version]

“Video 5 8 6” is a song originally composed as “pap” (as Tony Wilson put it) for the opening night of the Haçienda on May 21, 1982. Parts of this pearl would become the basis for the Power, Corruption & Lies tracks “5 8 6” and “Ultraviolence”, as well as the associated 12-inch single “Blue Monday”.

FixWhatUSee

Search This Blog