Gavin Bryars invoca Juan Muñoz em Serralves

Aproxima-se a noite grande de Gavin Bryars a invocar o escultor Juan Muñoz em Serralves. Para alegria nossa, ficámos a saber que a RUC volta a estar em directo do auditório do museu para transmitir em directo “A Man In A Room Gambling”, o projecto para rádio que Bryars desenvolveu com o Jun Muñoz, numa encomenda da BBC.

Há anos que nos deixamos enebriar pelo inglês melancólico da pronúncia de Muñoz a pairar sobre a atmosfera de Gavin Bryars. Fizémos destaque grande há semanas na mesma RUC, e Sexta Feira não conseguindo ir ao Porto, ficamos agarrados ao webcast da Universidade, a partir das 22h, em www.ruc.pt.

Atenção: entramos no último mês para ver a retrospectiva de Juan Muñoz no mesmo museu de Serralves.

Comments

The Clockworks, Mayday Mayday

Mayday Mayday, the latest from The Clockworks, a four-piece Irish post-punk band from Galway, Ireland, now based in London. Formed in 2019, the band consists of James McGregor (vocals and guitar), Sean Connelly (guitar), Damian Greaney (drums), and Tom Freeman (bass). One of the most exciting new bands in the post-punk scene, a blend of indie rock and garage rock, with driving guitars and catchy melodies, currently working on their debut album. The Clockworks are a young band with a lot of potential, helping to bring Irish rock back to the forefront. Stay tuned!

Iain McKell, "New Gypsies"

"Historically despised the new Gypsies are there by choice, not heritage. Unrelated to the Roma, the movement began in 1986 when a group of Post-Punk Anti-Thatcher protesters headed out of London into the English countryside. McKell followed these New Age Travellers to the West Country and over the years he watched them become a hybrid tribe - the new gypsies - present-day rural anarchists, living the subversive lifestyle in elaborately decorated horse-drawn caravans." Iain McKell, "New Gypsies"

New Order - Video 5-8-6 [Extended 22:23 version]

“Video 5 8 6” is a song originally composed as “pap” (as Tony Wilson put it) for the opening night of the Haçienda on May 21, 1982. Parts of this pearl would become the basis for the Power, Corruption & Lies tracks “5 8 6” and “Ultraviolence”, as well as the associated 12-inch single “Blue Monday”.

FixWhatUSee

Search This Blog