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Showing posts from March, 2010

The Irrepressibles, In This Shirt

Keep your ears open: " The Irrepressibles conjuguent l’élégance d’Antony avec la ferveur malsaine du cabaret. " (Les Inrocks)

PASCAL COMELADE - Fakir

#56.1 - PASCAL COMELADE - Fakir by lablogotheque

elles@centrepompidou, the women artists at Centre Pompidou, Paris

From the 20th Century to the present day, elles@centrepompidou , will show the feminine side of Centre Pompidou art collections. Key figures such as Sonia Delaunay, Frida Kahlo, Dorothea Tanning, Joan Mitchell and Maria-Elena Vieira da Silva rub shoulders with today's great female creators some of whom, including Sophie Calle, Annette Messager and Louise Bourgeois have been featured recently in monographic exhibitions at the Centre Pompidou. The programming cuts across disciplines to take a deeper look at the place occupied by women in the culture of the last century, from literature to history of thought, from dance to cinema. Don't miss the web site for this amazing event that is running from May 2009 to February 2011. Here: elles@centrepompidou

John Zorn's Masada - Jazz a Vienne 2006

#Listening to Anna Homler + Steuart Liebig Duo: kelpland serenades

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http://www.pfmentum.com/PFMCD029.html Posted via web from Zoid's reading the Wide Web

Alex Chilton (28 December 1950 – 17 March 2010)

Singer and guitarist Alex Chilton died yesterday of a heart attack. The musician, known for his output with the Box Tops and Big Star, died unexpectedly in New Orleans, aged 59.

Pure Joy. Masterclass from Master Arvo Pärt

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Arvo Pärt - Magnificat

The Theatre of Voices, Paul Hillier and NYYD Quartet at Fundação Gulbenkian

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Theatre of Voices and NYYD Ensemble, directed by Paul Hillier will be tomorrow night in Lisbon, at Fundação Gulbenkian, with a program that includes early music and its influence on the work of Estonian composer Arvo Pärt. This program is therefore rooted in my very first experience of Pärt’s music. It is not however intended as the illustration of an idea, but rather as a concert of musical items that suit each other, both in contrast and similarity. There is an underlying sympathy between the two aesthetics at work, even though Pärt’s belongs to our time, and the medieval does not - except insofar as we make it contemporary whenever we perform it. … Broadly speaking this program is a synthesis of Pärt and early medieval music. The medieval pieces are chosen to reflect the influence of that sound-world on Pärt’s music and the technique he created called ‘tintinnabuli’. There is perhaps no other kind of music which so perfectly fits with Pärt’s than this kind of selection o...

Cinema: 'Welcome', de Philippe Lioret

Somos cúmplices. A história que Philippe Lioret nos faz viver incomoda, forçando-nos a assumir a nossa cumplicidade. Isto vai acabar mal. Quanto tempo mais podemos continuar a tolerar?

El día internacional de la mujer....

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via elpais.com Posted via web from Zoid's reading the Wide Web

Há 20 a ler o @publico e continuo a ser surpreendido. Belíssima edição, hoje. Parabéns!

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Posted via web from Zoid's reading the Wide Web

Wired: Through Tim Burton’s Looking Glass - Making Alice in Wonderland